A diverse range of featured gallery works both physical and metaphysical, spanning sculpture, performance, photography, and curatorial disciplines.

TITLE — Flint: Buried Above Ground

Photography Exposé by TERZAH for Harvard University’s AFVS Department, 2019

DESCRIPTION — While classical climate photography often aims to portray the pristine natural beauty of an environment in harsh contrast to its realistic decay, the people and communities surrounding these spaces are often left out of the frame and more often than not, at the fatal frontlines of a toxic environment.

TITLE — this is my body as much as my body of work

Exhibit Prospectus Curated by TERZAH for Harvard University’s AFVS Department, 2020

DESCRIPTION — This is an exhibition of the body, for the body, made by the body, in support of the body, for everybody. Featured in five themes inspired by my poem green-thumbed, brown-sugar-skinned, pink-tongued, red-eyed, and charcoal-souled, this exhibit features works from a diverse range of artists and mediums that essentially embody their body/the body in their work or process.

TITLE — untitled

Scupture by TERZAH for the Harvard Art Museum’s Student Exhibition, 2017

MATERIALS — recycled cardboard

DESCRIPTION — An exploration of process over promise. Leading with the hands instead of the mind, the material instead of the mechanism, this piece explores the transformation of the mundane and the body’s instincts.

TITLE — tomber

Sculpture by TERZAH for the Harvard Art Museum’s Student Exhibition, 2017

MATERIALS — wire, charcoal, graphite, paper

DESCRIPTION — Similar to untitled (2017), this wall-based piece from the same exhibit is an exploration of process. A conversation on control, this piece materializes light and gravity to explore depth, shadow, and force.

TITLE — our histories unhung

Found Objects Sculpture by TERZAH for the Harvard Art Musem’s Student Exhibition, 2019

MATERIALS — wire hangers

DESCRIPTION — A minimalist approach to the maximal issue of racial injustice against Black individuals. The entire systemic design, represented by the white, erect gallery wall, stands to haunt and hurt those forced to the margins.

TITLE — the cycle is 28, but so is the weight

Found Objects Sculpture by TERZAH for the Harvard Art Museum’s Student Exhibition, 2019

MATERIALS — found plastic, wire, molasses, lubricant

DESCRIPTION — Forging the intimate with the impeding, this piece comments on consumerism, climate, and reproductive health. Our addition to plastic fuels Mother Nature’s miscarriage, as seen from the ominous, oily black leak of this plastic p*ssy.